Low-budget, typically sexually express or exploitative movies proven at drive-in theaters throughout their heyday, significantly within the Sixties and 70s, had been recognized by a wide range of colourful phrases. These included “grindhouse” movies, a time period borrowed from the burlesque theaters that always confirmed comparable fare, and “exploitation movies,” which highlighted their deal with sensational subject material like violence, intercourse, and weird or taboo subjects. Different frequent descriptors included “sexploitation” (particularly for sexually express movies), “biker movies,” “blaxploitation” (that includes predominantly Black casts, typically in city settings), and easily “B-movies” or “drive-in films.” These movies typically featured lurid titles and provocative promoting designed to draw a selected viewers.
The existence of those movies, and the cultural phenomenon they symbolize, gives a precious lens via which to look at the evolving social mores and anxieties of the time. They replicate altering attitudes in direction of sexuality, race, and violence in post-war America, and their low manufacturing budgets and impartial distribution allowed for a larger diploma of artistic freedom and experimentation, albeit typically on the expense of narrative coherence or technical polish. The drive-in theater itself, with its inherent privateness and informality, offered a novel exhibition context for these movies, contributing to their counter-cultural attraction and lasting affect on impartial filmmaking and style cinema.
